What's the matter with these producers? I can't believe they couldn't find good writers to start up Discovery after Voyager to make all that glitz look plausible.
Not to be a broken record again Krell, but they
had a good EP in Bryan Fuller and a good writer in Nicholas Meyer, before CBS fired and replaced them with people more concerned about pushing their own political agendas than having a good knowledge of Star Trek or even writing good stories. In fact, Kurtzman actually said in a video about a month ago that he views Star Trek as a "political platform", which is what most of us originally thought way back in 2017, though this was the first time he actually went on camera and admitted it. The annoying part is that you still see Fuller's name credited as an EP in the opening title sequence for all the episodes, so anyone who hasn't been keeping up with all the nonsense behind the scenes of this show will think he's involved with it, just like Rod Roddenberry, even though neither of them have had anything to do with the entire series.
People like to give S2 of Discovery a pass. It was more watchable but only because of the Enterprise and Pike (which they only added because of the tanking viewership by the end of S1). Even still, S2 suffered from the same plot inconsistencies, illogical decisions and unrealistic explanations that S1 suffered from (200 shuttles/fighters between 2 ships, interior doors withstanding torpedo explosions while armored exterior hulls could not, using space bridges to evacuate a ship but then using transporters to return, all religions being combined into one super religion, etc.).
There's a lot of suspension of disbelief in the Kurtzman era. Yes, Star Trek has always been classified as science fiction, but its roots have always been based around science fact. Barring the rare supernatural occurrence like Q, most of the futuristic technology like warp drive, grav plating, inertial dampers, etc. was constructed around theoretical physics and what would actually make logical sense down the road. This is also what happens when you have about 15 different non-Trek producers mashing their ideas into each episode. You should only have 1 or 2 like in past Trek series, not 10 or 15.
Fortunately though, Discovery, Picard, Lower Decks, Prodigy, etc. all take place in the Kurtzman timeline, so it doesn't matter to me anymore. I'm just waiting for his contract to expire and hoping that Emma Watts can return Star Trek back to the way it used to be... slow-paced, thought-provoking, philosophical... especially now that the brand is united again thanks to the re-merger of the companies.