Since all the streaming and sat provided 4K is only providing DD anyway, it works just fine.
I don't have an Atmos setup so I wouldn't know about that. But I've tested those 3 services both with optical and HDMI and if there is a sonic difference I sure don't hear it. And since that is the case I don't give it a thought these days.
For info I have a 7.1 setup using a Harman Kardon 3600 AVR currently. Tests were done with that and a previous Denon S900. Results were the same, no discernible difference whether I got audio from HDMI or optical. Note I'm not saying that optical can pass anything but DD.
Possibly Atmos would be a different story, I have no way of actually knowing or testing that.
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But what devices did you plug into your AVR that you could not get DD Plus with 4K?
Imagine all those who've bought high-end "4K Blu-ray players" that find that the units can't play UHD Blu-rays. Your receiver is in exactly the same boat: It upscales to UHD but it won't accept a UHD input. Your interpretation of the receivers 4K feature was way off base.I'm a little pissed because the device is advertised as 4K capable.
Imagine all those who've bought high-end "4K Blu-ray players" that find that the units can't play UHD Blu-rays. Your receiver is in exactly the same boat: It upscales to UHD but it won't accept a UHD input. Your interpretation of the receivers 4K feature was way off base.
Like lparsons21, I'd wait at least until CES 2018 if possible to make sure everything has been sorted out if you're demanding everything they're promising today. If you can be happy with exactly what the model you're considering promises, there are few worries. That said, in the world of DRM, there are things that you can't pull off with a firmware update (like upgrading HDMI 2.0 to HDMI 2.2).
That's a good thing because optical is the lowest form of digital transmission in the AVR world. It maxes out at 5.1 with Dolby Digital. DTS can reach 7.1.Note I'm not saying that optical can pass anything but DD.
It was post #16 by the TS. I'm not sure what happened.That's not my quote - I don't think I even quoted that quote.
That's a good thing because optical is the lowest form of digital transmission in the AVR world. It maxes out at 5.1 with Dolby Digital. DTS can reach 7.1.
The problem with doing things your way is that the optical audio may eventually be clamped down to 2.0 (or disabled entirely) as they're no way to chain DRM over optical (or coaxial for that matter).
The STB controls its optical output according to the dictates of the individual program's DRM. If the content is "protected", the audio on non-HDCP digital outputs (both optical AND coaxial) are either downconverted to stereo or silenced. Older equipment may not behave by-the-book because it wasn't being rigorously tested for compliance when its HDMI was being evaluated (see more at "analog hole"). Now things are different and hardware is much more likely to behave according to the latest rules that hamstring optical and coaxial.Oddly it seems only locked to some of the Amazon Prime stuff because watching True Blood on HBO Go on the FireTV is DD. So the issue is a FireTV oddity, not my TV itself.
It is my hope that most of this will be sorted by CES 2018. At some point it just becomes a numbers game (like AVRs that claim frequency response to 40KHz) and based on the charts and graphs we're seeing now, today's TV are can't get much closer to theater.Yeah, but with the way they keep changing things as much and as fast as they are my wallet can't keep up!
HDCP covers both video and audio information. There's currently no mechanism to insure that you're not recording the audio content with optical or coaxial. The only way to insure that you're not getting a 1:1 digital copy of the audio track are downconverting to stereo or silencing the digital outputs of the source device.The FireTV box is current model and fully HDMI 2.0a/HDCP 2.2 equipped.
The issue I'm seing is just odd. True Blood on Amazon Prime kicks out stereo via optical.
IOW, ensuring further vacuuming of our wallets as we try to keep up with their paranoia!!HDCP covers both video and audio information. There's currently no mechanism to insure that you're not recording the audio content with optical or coaxial. The only way to insure that you're not getting a 1:1 digital copy of the audio track are downconverting to stereo or silencing the digital outputs of the source device.
The digital and analog end-runs to copy protection aren't long for the world and the industry will withhold HDMI licensing to insure it.
Paranoia would be when you've convinced yourself that something exists that most likely doesn't. Piracy is when you can download faithful digital copies of your creations -- whether your a home producer or a blockbuster movie house.IOW, ensuring further vacuuming of our wallets as we try to keep up with their paranoia!!