June Premium Channel Premieres
The big four studio product...though I swear that the film for Showtime is the only new one I see on their website...as always, this topic is updated if new info arises...
STARZ
6/5 Gigli ( you know you want to see this train wreck, admit it... )
6/12 Pirates of the Caribbean
6/19 How To Deal
6/26 Freaky Friday
HBO
6/5 Bruce Almighty
6/12 Terminator 3
6/19 Cradle 2 The Grave (already on Max)
Sopranos' season ends on June 5th
Six Feet Under - new season June 12
CINEMAX
6/5 X2
6/19 Wrong Turn
6/26 The Order
Summary:
In the wonderfully entertaining Freaky Friday, teenager Anna (Lindsay Lohan) and her forty-something psychiatrist mom Tess (Jamie Lee Curtis) have sunk into a rut of frustrated bickering--until a magic spell causes them to switch bodies. Suddenly Tess finds herself faced with petty teachers, vicious rivals, and a hunky boy, while Anna has to cope with her mother's neurotic patients as well as her befuddled fiance (Mark Harmon), who doesn't understand why his bride-to-be is suddenly recoiling from his embrace on the eve of their wedding. Both Lohan and Curtis turn in deft, delightful performances, with Curtis showing a surprising flair for physical comedy. The movie even manages to explore serious issues about fractured families, new parents, and adolescent sexuality with honesty and empathy--and without making the story stop dead in its tracks. It's a mother-daughter film that fathers and sons can enjoy just as much. --Bret Fetzer
Summary: Teen idol Mandy Moore (A Walk to Remember) learns how to deal with an awful lot--How to Deal crams divorce, teen pregnancy, a wedding, a car accident, and a pot-smoking grandmother into a single year in the life of Halley Martin (Moore). Halley's so resentful of her parents' divorce (and her father's impending remarriage) that she resolves not to fall in love--so of course a hunky guy named Macon (Trent Ford) decides that she's the girl for him and woos her with gentle persistence. Two things save all of this from being a teenage soap opera: First, a refreshingly realistic (though not explicit) and unjudgmental look at teenage sex; second, a sterling supporting cast, including Allison Janney (The West Wing), Peter Gallagher (sex, lies, and videotape), and Dylan Baker (Happiness), alongside pleasant young actors like Alexandra Holden (Sugar and Spice). --Bret Fetzer
Summary:
You can admire Abandon more for what it attempts, as opposed to what it actually achieves. Making his directorial debut after winning an Oscar® for scripting Traffic, screenwriter Stephen Gaghan emphasizes character dynamics and time-shifting structure over action and plotting, and the results are intelligent but oddly detached. As a recovering alcoholic detective (Benjamin Bratt) is assigned to reopen the two-year-old disappearance of an arrogant college student, we're drawn into the thoughts and emotions of the missing person's former girlfriend (Katie Holmes), whose behavior--especially when her volatile ex-boyfriend suddenly reappears--is key to the slowly unfolding mystery. Abandon is all about mood and atmosphere--shadowy gloom is dominant throughout--and viewers may grow impatient as the tissue-thin plot leads to an anticlimactic revelation. Still, Gaghan's sharp dialogue draws fine work from Holmes, and his supporting cast (especially Zooey Deschanel and Melanie Lynskey, as fellow students) adds much-needed energy on the fringes of this lugubrious psychological thriller. --Jeff Shannon --This text refers to the Theatrical Release edition.
The big four studio product...though I swear that the film for Showtime is the only new one I see on their website...as always, this topic is updated if new info arises...
STARZ
6/5 Gigli ( you know you want to see this train wreck, admit it... )
6/12 Pirates of the Caribbean
6/19 How To Deal
6/26 Freaky Friday
HBO
6/5 Bruce Almighty
6/12 Terminator 3
6/19 Cradle 2 The Grave (already on Max)
Sopranos' season ends on June 5th
Six Feet Under - new season June 12
CINEMAX
6/5 X2
6/19 Wrong Turn
6/26 The Order
Summary:
In the wonderfully entertaining Freaky Friday, teenager Anna (Lindsay Lohan) and her forty-something psychiatrist mom Tess (Jamie Lee Curtis) have sunk into a rut of frustrated bickering--until a magic spell causes them to switch bodies. Suddenly Tess finds herself faced with petty teachers, vicious rivals, and a hunky boy, while Anna has to cope with her mother's neurotic patients as well as her befuddled fiance (Mark Harmon), who doesn't understand why his bride-to-be is suddenly recoiling from his embrace on the eve of their wedding. Both Lohan and Curtis turn in deft, delightful performances, with Curtis showing a surprising flair for physical comedy. The movie even manages to explore serious issues about fractured families, new parents, and adolescent sexuality with honesty and empathy--and without making the story stop dead in its tracks. It's a mother-daughter film that fathers and sons can enjoy just as much. --Bret Fetzer
6/19 Starz-HD East: How to Deal ** (2003, Romance)
SHOWTIME
6/12 Abandon
6/12 Abandon
Summary:
You can admire Abandon more for what it attempts, as opposed to what it actually achieves. Making his directorial debut after winning an Oscar® for scripting Traffic, screenwriter Stephen Gaghan emphasizes character dynamics and time-shifting structure over action and plotting, and the results are intelligent but oddly detached. As a recovering alcoholic detective (Benjamin Bratt) is assigned to reopen the two-year-old disappearance of an arrogant college student, we're drawn into the thoughts and emotions of the missing person's former girlfriend (Katie Holmes), whose behavior--especially when her volatile ex-boyfriend suddenly reappears--is key to the slowly unfolding mystery. Abandon is all about mood and atmosphere--shadowy gloom is dominant throughout--and viewers may grow impatient as the tissue-thin plot leads to an anticlimactic revelation. Still, Gaghan's sharp dialogue draws fine work from Holmes, and his supporting cast (especially Zooey Deschanel and Melanie Lynskey, as fellow students) adds much-needed energy on the fringes of this lugubrious psychological thriller. --Jeff Shannon --This text refers to the Theatrical Release edition.
I guess that by the standards we are setting they will be all upconverted (just kidding). 
