Well, since the cat is now "out of the bag" on this... Synapse & TEXAS CHAINSAW
» Posted by: Don May, Jr. , 11/04/2003, 10:55:59
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Well, well well... it seems that my mailbox has been flooded with folks asking me about this high-def TEXAS CHAINSAW promo they saw at the Chiller show last weekend for the HD HORROR Channel on the VOOM HD Satellite System.
I was sworn to secrecy on this one. The company told me to keep my trap shut on it but, obviously, VOOM is now promoting it, so I can finally speak about it... and, hopefully, stop the barrage of emails I've been getting on a subject that I couldn't talk about. I called them yesterday, mentioned the promo and they were a little surprised, but they are now telling me I can speak about it since the TV sale is a done deal.
A few months ago, I mentioned I was working on a top-secret project and that Synapse stuff had kinda been "put on hold", as it were, while said project was being done.
Well, kiddies... I was working on a new version of the original CHAINSAW. The company that owned it knew about my expertise with the title and figured that, since they needed a new high-def version for broadcast, that they would hire me to do it. They were going to pay me well and I couldn't pass up the opportunity to do this again, so I did it.
There does indeed exist a new 1.78:1 anamorphic HD D5 version of TCM out there now and the only way you can see it is if you come over to my house (I have an NTSC 16:9 DVD of my new transfer right here that I had made for myself and no one else!
), or subscribe to the new HD VOOM Satellite service (available, I think, at Sears).
Now, I do not own this title. Synapse (at least right now) is NOT putting out a new DVD of this. Neither is anyone else for that matter. I do not know what the company will do with their new HD transfer except that they needed it for a TV sale. RIGHT NOW THERE IS NO NEW DVD PLANNED (sorry for the shouting, but I know how rumors get started)!
I recently completed a 35mm film-output test (a la the new release of ALIEN) on the new version to see what it looks like with all the new corrections. I have seen the blow-up test and the technology they have today is REALLY amazing. It looks so much better than the other 35mm blow-ups that have been done on this over the years (I personally compared my new test with the last reel of New Line Cinemas re-release dupe neg from the 80s and the difference is astonishing.)
As many of you know with the history of TCM, the restoration I did about 7-8 years ago was pretty extensive and... yep... I've spent the last few months DOING IT ALL OVER AGAIN. The splice line removals, painting out blemishes, correcting faded materials, etc. To some extent I'm STILL working on it as I feel I still need at least another 5-6 ours of restoration to make it perfect and I spent 11.5 hours going through it frame-by-frame myself (on one very lonely Sunday afternoon in Burbank at IVC), then spent another 36 hours painting and removing the splice lines already. Most of my remaining work will be on the B roll of Reel 1 [seems to have been eaten by a moose, or something and crapped out again and contains some wacky dirt we will have to remove digitally]. It wasn't there before and I don't exactly know what happened yet, but it still blows away the old transfer by a longshot (Don't EVEN get me started on that recent re-release sham from Pioneer that proudly proclaims it as a NEW transfer... sheesh... there outta be a law against what they did. It was NEW eight years ago. I don't mind them re-releasing it to capitalize on the remake but, for crying out loud, they made it sound like it was all-new and it was nothing more than a repackage).
If all goes well, we may do a regional/limited theatrical restored release of TCM next year... maybe. It's not 100% yet.
I am also still working on a Dolby Digital 5.1 remix, which isn't quite done yet (on VOOM they are playing it in Stereo Surround).
So there you have it...
I think I can breathe a little easier now.
Oh, and by the way... we will be releasing Dusty Nelson's long-lost snuff-film classic EFFECTS (1978), too... But we have to make new elements for that, so I have no further info at this time other than Dusty and star/producer/composer John Harrison are extensively involved with Synapse on this one. More to come as that develops (pun most definitely intended).