Still waiting on the pictures as proof. As they say, a picture is worth a thousand words, or one of Jeff's posts.
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Stick waiting on the pictures as proof. As they say, a picture is worth a thousand words, or one of Jeff's posts.
In reality, the only difference between the 622 and 722 is HD size and color. Performance specs & components are the same. Now if you are talking about a 722K, some folks think it is better, others (like me) see no difference.I just switched from a 622 to a 722. The picture quality is quite different. It feels like I got a new TV. Absolutely love it. I tried to talk them into letting me beta test the 922 (I was actually a Tivo tester back in the day), but couldn't make that happen. But, the 722 has absolutely awesome picture quality, all of the time, in my book.
I just switched from a 622 to a 722. The picture quality is quite different. It feels like I got a new TV. Absolutely love it. I tried to talk them into letting me beta test the 922 (I was actually a Tivo tester back in the day), but couldn't make that happen. But, the 722 has absolutely awesome picture quality, all of the time, in my book.
Just like LCD HDTVs are SO MUCH better than a plasma at half the price.Amazing what the mind "sees" when you think you swapped out for better equipment.
From 0, signal must be increased to a high enough point on the signal meter to produce a picture. Until that point, there is not enough information for the digital-to-analog converter (DAC) to produce a picture at all. The result is a "loss of signal" message.
Just above the failure point (FP), you will see a relatively stable, but slightly degraded picture.
I bolded that key word in case you missed it.When you increase the signal on the signal meter a little more, there comes a point where signal is strong enough to overcome the noise in the system and produces a low enough BER to present the digital picture , uncompromised. This is referred to as the quasi error-free (QEF) condition.
The amount of signal in excess of the QEF condition, is the signal power margin. The signal power margin is the amount of signal you have "left over" to compensate for signal drops that occur from atmospheric disturbances - like storms and sunspots.
In reality, the only difference between the 622 and 722 is HD size and color. Performance specs & components are the same. Now if you are talking about a 722K, some folks think it is better, others (like me) see no difference.
It does, but to no difference IMO.I thought the 722/k used a different video processing chip than the 622?
It's not the content, it's how you go about saying it. People (for the most part) are able to deduce from your posts whether or not you know your stuff....To put undo emphasis on your point of view seems much too strong.chill homefries. Just stating that no way the meter would go that high anymore. I dont have a problem...just stating a fact.
ya never know. Always Wrong Jeff seems to say you need a higher signal for a cleaner picture which is BS
shows you obviously are trolling.....and flaming is not tolerated here.
I laugh at your silly statements; nit nit. Elitist pig oink oink. Did the noob get his feelings hurt silly man :haha Stick around and you too can become elitist as well. You really are funny now that I know you weren't just a troll here to stir up trouble. Besides I apologized for that and you still have not gotten over it. Grow a pair and get over it. Some days you will get chided some days you will get praised hang around and have a bit of fun as we make mistakes too. School's out now children! :haha:haha:haha
What IS rather interesting is how HiDefJeff says something.......
Then ALL or most of you refute his posts with contempt and and attempt to denigrate his character.:rant:
What a bunch of classy guys, real class acts as they say.....
I laugh at your ineptitude and lack of understanding.
Yeah, I'm a noob at life because I don't have countless posts (like you) haha.
This makes perfect sense, and is a testament to your thinking you're better than *
Grow a pair. Nice touch. You've got class, that's for sure.
Schools out, huh? K....
I feel 10 times wiser/smarter now that I've read this enlightening post.
Thank you very much, really. You've done this thread a huge service. Congrats:up
What IS rather interesting is how HiDefJeff says something.......
Then ALL or most of you refute his posts with contempt and and attempt to denigrate his character.:rant:
What a bunch of classy guys, real class acts as they say.....
Most excellent ref; thanks.Jeff, since you like quoting articles so well that (at least the last one) have nothing to do with making pictures, try reading this... Signal Meters & Bit Error Rate
This would occur in a very narrow range of signal levels, right at the top of the cliff in the graph. Such a picture is visible only because of error compensation, whereas getting into the QEF regime would be complete error correction. Now, what does that look like exactly? Can we tell it apart from crappy compression? I say "No, we cannot." So, when you and I are both looking at a digital picture, and I say it looks like s*&^ and you think it looks excellent, then just maybe I'm below the QEF regime and looking at a "slightly degraded picture."Just above the failure point (FP), you will see a relatively stable, but slightly degraded picture. At the threshold of visibility (ATSC) there is still a relatively low signal-to-noise ratio and high bit error rate (BER) that compromises the picture quality.
I'm pretty sure he's talking about signals up in the QEF range. After all, he talks about the "digital cliff" being a "hoax". But on the off chance he's not... Jeff, can you clarify what part of the signal strength range you're talking about? Do you really believe that ANY signal strength increase/decrease will affect the picture, or are you just talking about the part just past the "cliff"? If Jeff is referring to the part at the edge of the "cliff", I will apologize. However, I don't think that's the case.Again I hesitate to stick my nose in here, but...
Most excellent ref; thanks.
Now most of you seem to think that Jeff is talking about signal levels well into the QEF regime. I haven't read every word of his posts, so I don't know. But I always thought he was talking about this which I quote again from your ref:
Actually I think you can. Crappy compression will display as "rough" edges, and "blocking" in similar colors (picture looking at facial tones, grass of a field, or a solid background), along with a loss of detail. Bad signal will display as "out of place" macroblocking and occasional "loss of signal".This would occur in a very narrow range of signal levels, right at the top of the cliff in the graph. Such a picture is visible only because of error compensation, whereas getting into the QEF regime would be complete error correction. Now, what does that look like exactly? Can we tell it apart from crappy compression? I say "No, we cannot."
Don't forget the last article he talked about mentioned a "gradual rolloff" as signal strength decreases.In this case, Jeff is right in principle; he merely expresses himself badly. And all I need is just a little more signal to get into the QEF regime.