HD World Cinema (102):
Winter Sleepers ** (1997, Drama)
Winter Sleepers ** (1997, Drama)
Review
Tom Tykwer, writer-director of the international hit Run Lola Run, shows a more pensive side with Winter Sleepers. The film examines the lives of five characters in the aftermath of an auto accident. As with Run Lola Run, Tykwer's main concern is with chance and coincidence, and the ways people unwittingly influence the course of each other's lives. Theo, a farmer, sets off to take his horse to the vet, unaware that his daughter is hidden in the trailer. Momentarily distracted, Theo swerves to avoid a sports car coming the other way and crashes into a mountain slope, critically injuring his daughter. The sports car is covered by snow, and René, the driver, digs his way out and leaves the scene. Meanwhile translator Rebecca negotiates a stormy-but-sexy relationship with loutish ski instructor Marco, both of them unaware that Marco's stolen car was involved in the crash, and Rebecca's roommate Laura nurses the young accident victim by day and begins a tentative relationship with René by night. While Winter Sleepers doesn't have the same manic pace as Lola, Tykwer's visual style is very much in evidence--he makes beautiful images of everything from the snow-covered Bavarian mountains to a cut finger. As it moves through a series of tiny but crucial events to a truly haunting ending, Winter Sleepers is in many ways reminiscent of Atom Egoyan's The Sweet Hereafter, both in its central plot device and in its melancholy atmosphere of fatal inevitability. --Ali Davis
Description
Tom Twyker's thriller Winter Sleepers is a haunting film about passion, emotions, love and death set in motion by a mysterious car accident. It opens with a terrible sense of foreboding, which envelopes the stillness of winter. Almost hallucinatory events begin to unfold and engulf four young people -- Laura, Marco, Rebecca and Rene -- who have little or nothing in common with each other. When local farmer Theo enters the picture, their lives change directions forever. Their paths cross only briefly, but this crossing gives new and unforeseen meaning to their lives.
Divine HD (110):
M. Butterfly ** (1993, Drama)
M. Butterfly ** (1993, Drama)
Summary
Jeremy Irons gives another superb and underrated performance in M Butterfly, an elegant adaptation of the Broadway hit by playwright David Henry Hwang. Irons plays a French diplomat in China in 1964 who falls in love with a star of the Beijing Opera, not realizing that the entrancing performer holds secrets that will ruin his life--that the singer is a spy for the Communist government is only the beginning of the diplomat's troubles. Though M Butterfly may seem like a departure for director David Cronenberg (best known for horror and science fiction flicks like The Fly and Scanners), the themes of desire and self-deception fit comfortably into his oeuvre, alongside his adaptations of difficult novels like Naked Lunch and Crash. M Butterfly, like the more popular movie The Crying Game, is a cunning examination of love and denial. Also featuring John Lone (The Last Emperor). --Bret Fetzer
HD Cinema Classics (107):
Moby Dick *** (1956, Action / Ad)
Moby Dick *** (1956, Action / Ad)
Summary:
There are so many things right about this 1956 production of Moby Dick, it's a shame it is remembered for the one (debatable) thing wrong with it. As Captain Ahab, the bearded, one-legged, insanely obsessed whaler, Gregory Peck has often been called miscast. The mild, level-headed Peck had many talents, but the volcanic eruptions of Ahab seemed beyond him--even Peck himself felt he was a bad fit for the part after he finished playing it. (Pauline Kael opined that Peck looked like "a stock-company Lincoln.") Yet Peck's quiet brooding works an intriguing variation on the fiery character. John Huston, a director with a taste for location shooting, had his hands full with the difficult open-water filming in Ireland and the Canary Islands ("The catalogue of misadventures was unbelievable," he later wrote). Since Ahab is chasing the rare white whale, three false whales had to be constructed, two of which were lost at sea. For all the miscues, the film is amazingly controlled, and especially beautiful to look at: Huston and cinematographer Oswald Morris developed an unusual color process meant to suggest old whaling engravings. The director wrote the script with the science fiction writer Ray Bradbury, an inspired choice to adapt Herman Melville's epic novel. Richard Basehart plays the narrator, Ishmael, and Orson Welles provides a wonderful single-scene role as Father Mapple, declaiming the mysteries of the sailor's life in a thundering sermon. --Robert Horton
