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Jazz legend Ramsey Lewis remembers Dave Brubeck. (click the link above)
Howard Reich
Arts critic
1:59 p.m. CST, December 5, 2012
Dave Brubeck, a jazz musician who attained pop-star acclaim with recordings such as "Take Five" and "Blue Rondo a la Turk," died Wednesday morning at Norwalk Hospital, in Norwalk, Conn., said his longtime manager-producer-conductor Russell Gloyd.
Brubeck was one day short of his 92nd birthday. He died of heart failure, en route to "a regular treatment with his cardiologist,” said Gloyd.
Throughout his career, Brubeck defied conventions long imposed on jazz musicians. The tricky meters he played in “Take Five” and other works transcended standard conceptions of swing rhythm.
HOWARD REICH
The extended choral/symphonic works he penned and performed around the world took him well outside the accepted boundaries of jazz. And the concerts he brought to colleges across the country in the 1950s shattered the then-long-held notion that jazz had no place in academia.
As a pianist, he applied the classical influences of his teacher, the French master Darius Milhaud, to jazz, playing with an elegance of tone and phrase that supposedly were the antithesis of the American sound.
As a humanist, he was at the forefront of integration, playing black jazz clubs throughout the deep South in the ’50s, a point of pride for him.
"For as long as I’ve been playing jazz, people have been trying to pigeonhole me,” he once told the Tribune.
"Frankly, labels bore me."
He is survived by his wife, Iola; four sons and a daughter; grandsons and a great granddaughter.
Copyright © 2012 Chicago Tribune Company, LLC
Jazz legend Ramsey Lewis remembers Dave Brubeck. (click the link above)
Howard Reich
Arts critic
1:59 p.m. CST, December 5, 2012
Dave Brubeck, a jazz musician who attained pop-star acclaim with recordings such as "Take Five" and "Blue Rondo a la Turk," died Wednesday morning at Norwalk Hospital, in Norwalk, Conn., said his longtime manager-producer-conductor Russell Gloyd.
Brubeck was one day short of his 92nd birthday. He died of heart failure, en route to "a regular treatment with his cardiologist,” said Gloyd.
Throughout his career, Brubeck defied conventions long imposed on jazz musicians. The tricky meters he played in “Take Five” and other works transcended standard conceptions of swing rhythm.
HOWARD REICH
The extended choral/symphonic works he penned and performed around the world took him well outside the accepted boundaries of jazz. And the concerts he brought to colleges across the country in the 1950s shattered the then-long-held notion that jazz had no place in academia.
As a pianist, he applied the classical influences of his teacher, the French master Darius Milhaud, to jazz, playing with an elegance of tone and phrase that supposedly were the antithesis of the American sound.
As a humanist, he was at the forefront of integration, playing black jazz clubs throughout the deep South in the ’50s, a point of pride for him.
"For as long as I’ve been playing jazz, people have been trying to pigeonhole me,” he once told the Tribune.
"Frankly, labels bore me."
He is survived by his wife, Iola; four sons and a daughter; grandsons and a great granddaughter.
Copyright © 2012 Chicago Tribune Company, LLC
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