CinemaClassics-HD: Platinum Blonde *** (1931, Comedy)
Summary: This Frank Capra comedy from 1931 helped define the screwball-comedy genre that became so popular with films like It Happened One Night and The Awful Truth. In this witty romp, Jean Harlow plays an upper-crust socialite who bullies her reporter husband (Robert Williams) into conforming to her highfalutin ways. The husband chafes at the confinement of high society, though, and yearns for a creative outlet. He decides to write a play and collaborates with a fellow reporter (Loretta Young); the results are unexpectedly hilarious, especially when Young shows up at the mansion with a gaggle of boozehound reporters in tow. With snappy, ribald dialogue (allowable in those pre-Hays Code days), Capra keeps the gags flying fast and furious, taking special delight in having Williams's journalist pals rib him endlessly over his kept-man status. Platinum Blonde was a great success at the time of its release during the class-conscious Depression; for better or worse, its star Harlow was identified with the tag "platinum blonde" until her untimely death. --Jerry Renshaw
CinemaGunslingers-HD: The Magnificent Seven ***+ (1960, Westerns)
Summary: Akira Kurosawa's rousing Seven Samurai was a natural for an American remake--after all, the codes and conventions of ancient Japan and the Wild West (at least the mythical movie West) are not so very far apart. Thus The Magnificent Seven effortlessly turns samurai into cowboys (the same trick worked more than once: Kurosawa's Yojimbo became Sergio Leone's A Fistful of Dollars). The beleaguered denizens of a Mexican village, weary of attacks by banditos, hire seven gunslingers to repel the invaders once and for all. The gunmen are cool and capable, with most of the actors playing them just on the cusp of '60s stardom: Steve McQueen, James Coburn, Charles Bronson, Robert Vaughn. The man who brings these warriors together is Yul Brynner, the baddest bald man in the West. There's nothing especially stylish about the approach of veteran director John Sturges (The Great Escape), but the storytelling is clear and strong, and the charisma of the young guns fairly flies off the screen. If that isn't enough to awaken the 12-year-old kid inside anyone, the unforgettable Elmer Bernstein music will do it: bum-bum-ba-bum, bum-ba-bum-ba-bum.... Followed by three inferior sequels, Return of the Seven, Guns of the Magnificent Seven, and The Magnificent Seven Ride! --Robert Horton
