8/4 HD Cinema Premiere Movies

Sean Mota

SatelliteGuys Master
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Sep 8, 2003
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HD Cinema (105): The Night of the Generals ** (1967, Crime)

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Aspect ratio 2.35 : 1

Summary: Long (148 minutes) military mystery set among the high command of Nazi Germany in occupied Poland and elsewhere in the Third Reich. A prostitute in wartime Warsaw has been brutally murdered and a German military investigator narrows his field of suspects to three German generals. But the war--and the sense of preening Prussian arrogance--interferes with his investigation, even as he begins to home in on the killer. Moodily sinister atmosphere and a strong cast (Peter O'Toole, Tom Courtenay, Omar Sharif, Christopher Plummer) can't overcome a plodding pace and a tendency to digress. --Marshall Fine

HD Cinema (105): Time After Time **+ (1979, Drama)


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Aspect ratio 2.35 : 1

Summary: In this clever speculative tale, story collaborators Karl Alexander and Steve Hayes and screenwriter-director Nicholas Meyer (Star Trek II and VI) send two famous historical figures ahead in time. In late 19th century England, writer H.G. Wells (Malcolm McDowell) unwittingly includes Jack the Ripper (David Warner) in his social circle. When one of Wells's dinner parties is crashed by the police looking for the Ripper, Jack uses the author's time machine to escape. But there's one catch--after it has been used, the machine returns to Wells's time. Thus the literary genius bravely sets out to find his evil friend before he can wreak havoc on another time period, and soon arrives in modern-day San Francisco. What follows is a fascinating merger of a suspense thriller--as the charming and polite Wells tries to hunt down the shrewd, brutish Ripper and take him back to the past--and a love story, as Wells befriends and falls in love with a bank administrator (Mary Steenburgen) who acts as his guide through the future. Through its brilliant combination of creepy suspense and tender romance, Time After Time manages to become a classic in two genres at once--a rare cinematic achievement. --Bryan Reesman
 

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